Grateful Dead Live at Omaha Civic Auditorium on 1978-07-05
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- Live concert
- Grateful Dead
- DeadLists Project
AUD(Sony 54PÂs>Sony TC-158)>MC>C>DAT>CD; via Paul B; Seeded to Etree by T. Wiley
- 2004-04-05 14:28:14
- AUD(Sony 54P's> Sony TC-158)> MC> C> DAT> CD
- Omaha, NB
- Omaha Civic Auditorium
Subject: M-80 Explosion 1:25 into Ship Of Fools
Less than 1000 people in attendance.
in the ill wind for naught.
scoundrels for sale or rent
moronic angels watch over us.
every litter bit yelps
Subject: He he he
Dead heads unite
Use the power
By mail if you have to
☠️☠️☠️trump ☠️☠️pence ☠️☠️☠️virus☠️☠️☠️
Wear a mask if you can
Defeat darkness greed hate & racism
☠️☠️☠️trump ☠️☠️☠️pence ☠️
they and their ilk must be defeated
God bless America
Subject: My First Dead Show, I was There
Subject: good show
Subject: Nice recording, but sharp
i love keith's solos in TLEO from '78, this one is especially groovy and surly in a keith sort of way
it isn't perfect, but i think this show has even more charisma than both the following Red Rocks shows.
Subject: 4 for the Estimated Prophet alone - LISTEN UP
Set II has a blockbuster go off in SOF which sets up an incandescent Estimated - Folks this is one of the best if not the best I have heard from '78 no lie. The jam is ripping and goes on forever. For a mom there I could see the blue green lights and low spotlight on Jer then burts into a hot eyes. Bill and Mickey rock drums and sound just like Red Rocks with the wierd spaciness and sound effects. They never let up and Jerry steps right in with the wawa and flanger in an eery and fast jam. Great Wharf Rat and the HANDS DOWN BEST OF '78 TRUCKIN into a great Iko with a wailing Donna the crowd does not know what to make of this and thinks its NFA remember this had been played 8X since 5/15/77 St. Louis.
The sound is a not great audience so 4 is a stretch but listen closely this is a really good show and cannot understand why no one else has rated this. Not everyone may agree, but you should listen to more than one or two songs...
Uploaded by Jonathan Aizen on